A 1660 mythological drawing by Moses ter Borch featuring Venus, Mars, and Cupid, rendered in graphite and grey wash.

This drawing by Moses ter Borch, dated 1660, depicts a classical mythological scene featuring Venus, Mars, and Cupid. The composition follows the traditional iconography of the deities, with Venus reclining on a draped bed while Mars stands before her, and the infant Cupid positioned between them. The artist employs a delicate use of graphite and grey wash to define the figures and the surrounding architectural elements, such as the column base and heavy drapery.

Moses ter Borch was a member of a prominent family of artists from Zwolle. His career was brief, as he died at the age of twenty-two. Despite his short life, his surviving drawings demonstrate a clear technical proficiency in handling human anatomy and light. The work reflects the academic interest in classical themes that persisted among Dutch artists during the seventeenth century. The inclusion of a quiver of arrows at the base of the bed serves as a visual identifier for Cupid, grounding the scene in its mythological context.

The drawing is characterised by its clean lines and controlled application of wash, which creates a sense of volume within the figures. The perspective is relatively shallow, focusing the viewer's attention on the interaction between the three subjects. The work provides a glimpse into the training and artistic preoccupations of a young draughtsman working within the Dutch tradition. It is a fine example of the preparatory or finished studies that were common in the period, often intended for private collections or as exercises in composition and figure drawing.