A 1951 abstract composition by Dutch artist Ger Gerrits, offering a stylised and geometric interpretation of Venetian motifs.

Ger Gerrits, a Dutch artist active during the mid-twentieth century, produced this work in 1951. The composition presents a stylised interpretation of Venice, moving away from traditional representational modes toward a more subjective, abstract visual language. The artist employs bold, flattened forms to suggest the iconic gondolas and architectural silhouettes associated with the city. The work is characterised by a deliberate use of colour blocks, where pink, yellow, blue, and black interact to create a sense of rhythmic movement. The application of paint displays a tactile quality, with visible brushwork that adds texture to the surface. The background features a crackled, web-like pattern, which provides a contrast to the solid, opaque shapes of the primary subjects. This technique suggests an experimental approach to media, common in the post-war European art scene where artists sought to break from academic constraints. Gerrits focuses on the essential geometry of his subject rather than its literal appearance. The gondolas are reduced to sweeping, dark curves, while the buildings are simplified into rectangular frames. This reductionist method allows the viewer to engage with the composition as a series of balanced shapes and hues. The work reflects the broader interest in abstraction that defined much of the Dutch artistic output during the 1950s, prioritising personal expression and formal experimentation over descriptive accuracy. The inclusion of the date and title in the lower margin provides a direct link to the artist's own documentation of the piece, confirming its place within his wider body of work from this period.