Van Gogh's Chair - Vincent van Gogh
Archival giclée
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Description
A seminal Post-Impressionist work from 1888, depicting a rustic wooden chair as a symbolic self-portrait of the artist.
Painted in Arles in 1888, this work depicts a simple, rustic wooden chair set against a tiled floor and a blue wall. The object occupies the centre of the composition, rendered with thick, expressive brushwork that defines the texture of the straw seat and the worn wood of the frame. A pipe and a pouch of tobacco rest upon the seat, acting as personal markers of the artist. To the left, a small crate contains onions, with the name 'Vincent' inscribed on the side.
Van Gogh created this painting during his time at the Yellow House, a period marked by his desire to establish an artists' colony. The chair is often interpreted as a self-portrait, representing his own presence and identity through the objects he used daily. The colour palette relies on the contrast between the yellow of the chair and the cool blue of the background, a technique he frequently employed to create visual tension. The perspective is slightly elevated, allowing the viewer to look down onto the seat, which emphasises the humble, everyday nature of the subject.
This painting is a companion piece to 'Gauguin's Chair', which Van Gogh painted around the same time. While the chair belonging to Paul Gauguin is depicted as more ornate and set in a night-time environment, this version is grounded in daylight and simplicity. The work demonstrates his focus on capturing the character of inanimate objects, imbuing them with a sense of personal history and emotional weight. The application of paint is direct and unrefined, reflecting his approach to capturing the essence of his surroundings without unnecessary embellishment. The composition remains balanced, with the diagonal lines of the floor tiles providing a sense of depth that guides the eye toward the chair.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Van Gogh's Chair - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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