Ushibori in Hitachi Province - Katsushika Hokusai
Archival giclée
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Description
A serene woodblock print from Hokusai's Thirty-six Views of Mount Fuji, depicting a moored boat at Ushibori with the iconic mountain in the distance.
This woodblock print is a plate from the series Thirty-six Views of Mount Fuji, a collection that redefined the landscape genre in Japanese art. Katsushika Hokusai captures a quiet moment at Ushibori in Hitachi Province. The composition centres on a large, moored boat, its thatched roof and wooden structure rendered with precise, clean lines. A figure is visible on the deck, engaged in a routine task, while the interior of the vessel reveals stacked cargo and sleeping mats. The boat sits in shallow, marshy waters, with reeds swaying in the foreground.
In the distance, Mount Fuji rises against a pale sky. Hokusai uses a restricted palette, relying on shades of blue and muted earth tones to create a sense of atmospheric calm. The mountain is depicted with a simplified, geometric form, a hallmark of the artist's approach to the iconic peak throughout the series. The print demonstrates the technical mastery of the ukiyo-e tradition, particularly in the application of Prussian blue, a pigment that was relatively new to Japan at the time. The contrast between the stillness of the boat and the distant, stoic mountain creates a balanced visual narrative. This work reflects the artist's interest in the daily lives of people interacting with the natural environment, rather than focusing solely on the grandeur of the scenery. The print is a fine example of Hokusai's ability to organise complex spatial relationships within a two-dimensional plane, using the diagonal line of the boat to guide the viewer's eye across the composition towards the horizon.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Ushibori in Hitachi Province - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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