Untitled Blue Monochrome - Yves Klein
Archival giclée
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Description
A study in International Klein Blue, this work captures the fluid, raw application of pigment, exploring the relationship between colour and space.
Yves Klein, a central figure in post-war European art, dedicated much of his career to the exploration of a single, specific hue. This work features the signature International Klein Blue (IKB), a shade he developed in collaboration with chemists to maintain the intensity of pure pigment. By suspending the pigment in a synthetic resin, Klein achieved a matte finish that absorbs light rather than reflecting it, creating a sense of depth that appears to extend beyond the physical surface of the paper. This piece captures the fluid nature of the medium. Unlike his more structured, uniform panels, this work shows the pigment in a state of transition. The vertical drips at the lower edge reveal the physical application of the paint, documenting the gravity and time involved in its creation. The contrast between the saturated blue block and the neutral, unpainted background emphasises the materiality of the colour itself. Klein sought to liberate colour from the constraints of form, line, and subject matter, allowing the viewer to experience the sensation of the colour in its raw state. Throughout the late 1950s, Klein produced a series of monochrome works that challenged traditional notions of painting. He viewed these pieces as windows into a void, or a space of pure sensibility. By removing narrative elements, he invited an immediate, visceral response from the observer. This print reproduces the texture and tonal variation of the original, preserving the specific quality of the pigment as it pools and runs across the surface. It is a study in the relationship between liquid medium and static support, reflecting the experimental approach that defined Klein's brief but influential career.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Untitled Blue Monochrome - Yves Klein
Artist Biography
Yves Klein
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Museum-Quality Materials
Artist Biography
Yves Klein
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
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