Untitled (Abstract Composition) - José Escada
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A mid-century abstract composition by Portuguese artist José Escada, featuring rhythmic, undulating lines and a palette of earthy tones.
This work by the Portuguese artist José Escada displays the characteristic formal experimentation of his mid-century period. Escada, a member of the group Os Surrealistas, moved through various modes of expression during his career, often focusing on the interplay between organic form and structured geometry. In this piece, the canvas is divided into horizontal bands that suggest a topographical or geological arrangement. The application of paint is deliberate, with distinct colour fields separated by undulating, ribbon-like lines that traverse the composition. The palette consists of earthy ochres, muted greens, and soft pinks, punctuated by darker, linear elements that provide a sense of rhythm. Rather than depicting a specific subject, the work relies on the balance of these shapes and the tension between the flat areas of colour and the flowing, calligraphic lines. This approach reflects the artist's interest in the structural possibilities of abstraction, where the canvas functions as a space for visual organisation rather than representation. The composition avoids centralisation, instead encouraging the eye to move across the surface, following the serpentine paths that connect the disparate sections of the image. Escada's work from this era demonstrates a move away from the more literal surrealist imagery of his early years toward a refined, semi-abstract language. The surface texture remains relatively smooth, allowing the focus to remain on the interaction of the chromatic zones. By layering these shapes, the artist creates a sense of depth that is not reliant on traditional perspective, but rather on the weight and placement of the individual forms. This print captures the subtle variations in tone and the precise, rhythmic quality of the original brushwork, offering a clear view of Escada's approach to abstract composition during the late 1950s.
Untitled (Abstract Composition) - José Escada
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Premium materials
Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
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Museum-grade prints
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
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Crafted in the UK
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
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Ready to hang
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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What our customers say
Real reviews from real customers
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
José Escada
Jose Escada was a Portuguese painter and sculptor who became a significant figure within the mid-century abstract movement. Born in Lisbon in 1934, he spent his formative years developing a style that moved away from traditional representation toward geometric experimentation. His practice involved a focus on the physical properties of his materials, often manipulating surfaces to create depth and texture. Escada moved to Paris in 1960, a relocation that proved influential for his artistic trajectory. During this period, he became associated with the KWY group, an collective of Portuguese artists living in France. This environment allowed him to engage with international avant-garde concepts while maintaining his own distinct approach to form and composition. His work from these years reflects a transition into more complex, structured abstractions that challenged the viewer to reconsider the relationship between space and object. Throughout his career, Escada maintained a consistent output of paintings and sculptural reliefs. His contributions to the Portuguese art scene were recognised during his lifetime, and he remains a subject of study for his role in bridging local traditions with European modernism. He died in 1980, leaving behind a body of work that continues to be examined for its technical rigour and conceptual clarity.
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