A satirical lithograph by Honoré Daumier depicting an absurd encounter between a formally dressed gentleman and a man in a bathhouse.

This lithograph by Honoré Daumier, titled Une Profession de Foi, captures a satirical encounter within a public bathhouse. Daumier, a prolific observer of nineteenth-century French society, frequently used the medium of lithography to critique the social and political climate of his era. In this composition, a man dressed in formal attire, complete with a top hat, stands in conversation with a nearly nude man wearing only a bathing cloth. The stark contrast between the two figures serves to emphasise the absurdity of their interaction, a common device in Daumier's work.

Daumier employs a fluid, expressive line quality to define the figures and their surroundings. The background is sparse, focusing the viewer's attention on the dialogue between the two central characters. The man in the top hat appears composed, while the man in the bathing cloth gestures with an air of agitation or explanation. This work belongs to a series of social satires that Daumier produced for publication in journals such as Le Charivari. These prints were accessible to a wide audience, allowing Daumier to comment on the habits and pretensions of the Parisian bourgeoisie.

The technical execution of the lithograph demonstrates Daumier's mastery of the medium. He uses varied pressure to create depth and texture, from the dark, solid tones of the gentleman's coat to the lighter, more delicate shading on the skin of the bather. The inclusion of smaller figures in the background adds a sense of place, grounding the scene in the mundane reality of a public facility. This print offers a glimpse into the observational humour that defined Daumier's career, providing a record of the social dynamics and fashion of the mid-nineteenth century.