Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A study of light and shadow in a woodland setting, captured with the energetic brushwork characteristic of American Impressionist Edward Willis Redfield.
Edward Willis Redfield, a central figure in the Pennsylvania Impressionist school, produced this study during his time on Monhegan Island, Maine. The work captures the specific quality of light filtering through a dense woodland canopy. Redfield utilised a direct, alla prima technique, applying paint with visible, energetic brushwork to record the immediate visual sensation of the scene. The composition focuses on the interplay between the vertical trunks of the trees and the dappled illumination on the forest floor.
Unlike the more polished studio works of his contemporaries, this piece retains the raw character of a plein air study. The palette consists of high-chroma greens, ochres, and bright yellows, which represent the sunlit patches of vegetation against the cooler, shadowed areas of the bark and soil. Redfield was known for his rapid execution, often completing works in a single session to maintain the integrity of the observed light. The application of paint is thick, providing a tactile quality to the surface of the canvas. This approach allows the viewer to observe the physical movement of the artist's hand across the support.
Monhegan Island served as a frequent destination for American artists at the turn of the twentieth century, drawn by its rugged topography and unique coastal atmosphere. Redfield's interpretation of the island's interior woods demonstrates his ability to translate complex natural patterns into a series of rhythmic, light-filled strokes. The lack of fine detail in the background suggests a focus on the immediate foreground, where the contrast between light and shadow is most pronounced. This print preserves the texture and colour relationships of the original oil painting, offering a clear view of Redfield's approach to capturing the transient effects of natural light in a woodland setting.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
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Museum-Quality Materials
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