Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Under the Bridge at Hampton Court - Alfred Sisley
Regular price
£28.00 GBP
Sale price
£28.00 GBP
Regular price
Archival giclée
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Made to order
Description
A 1874 Impressionist oil painting by Alfred Sisley, capturing a view from beneath the Hampton Court Bridge on the River Thames.
Alfred Sisley painted this work during a brief visit to England in 1874. The composition offers a view from beneath the Hampton Court Bridge, looking out toward the riverbank. The heavy iron structure of the bridge dominates the upper portion of the frame, creating a geometric frame for the scene beyond. Sisley uses the bridge to divide the canvas into distinct zones of light and shadow, contrasting the dark, cool tones of the underside with the bright, sun-drenched riverbank in the distance.
The water below is rendered with short, rhythmic brushstrokes that capture the movement of the current and the reflection of the bridge supports. A small boat sits in the foreground, providing a sense of scale and stillness against the active water. Figures in rowing boats appear on the left, suggesting the recreational use of the Thames during the summer months. The palette relies on earthy browns and deep reds for the bridge, which contrast with the blues and greens of the water and foliage.
Sisley was a dedicated practitioner of plein air painting, and this work demonstrates his focus on the effects of natural light on architectural and natural forms. Unlike some of his contemporaries who focused on urban life in Paris, Sisley maintained a consistent interest in the river systems of the Île-de-France and his native England. This painting captures a specific moment of observation, prioritising the immediate visual experience over formal detail. The work remains a clear example of his ability to integrate man-made structures into the natural environment through colour and light.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Under the Bridge at Hampton Court - Alfred Sisley
Regular price
From £28.00 GBP
Sale price
From £28.00 GBP
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Alfred Sisley
Sisley applied for French citizenship in 1898 and was refused. He applied again. Illness intervened. He died a British citizen in France, having never held French nationality, despite living there for almost his entire adult life.
He was born in Paris in 1839 to English parents. His father William ran a luxury goods import-export business. At eighteen, Sisley was sent to London to study commerce. He came back wanting to paint. He studied alongside Monet, Renoir, and Bazille at Gleyre's studio in the early 1860s.
He was the most landscape-committed of the Impressionists: he painted almost nothing else. No portraits, no cafe scenes, no modern life. His father's business collapsed during the Franco-Prussian War. Sisley had been financially comfortable until then; after 1870, he lived in poverty for the rest of his life. In 1876 he painted a series of six canvases of the catastrophic Seine flooding at Port-Marly: moody skies, planks laid as walkways, skiffs serving as ferries. They are among his finest works.
He died of throat cancer in 1899 at Moret-sur-Loing, aged fifty-nine. His partner Eugenie Lescouezec had died a few months earlier. Prices for his paintings increased almost immediately after his death.
He was born in Paris in 1839 to English parents. His father William ran a luxury goods import-export business. At eighteen, Sisley was sent to London to study commerce. He came back wanting to paint. He studied alongside Monet, Renoir, and Bazille at Gleyre's studio in the early 1860s.
He was the most landscape-committed of the Impressionists: he painted almost nothing else. No portraits, no cafe scenes, no modern life. His father's business collapsed during the Franco-Prussian War. Sisley had been financially comfortable until then; after 1870, he lived in poverty for the rest of his life. In 1876 he painted a series of six canvases of the catastrophic Seine flooding at Port-Marly: moody skies, planks laid as walkways, skiffs serving as ferries. They are among his finest works.
He died of throat cancer in 1899 at Moret-sur-Loing, aged fifty-nine. His partner Eugenie Lescouezec had died a few months earlier. Prices for his paintings increased almost immediately after his death.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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