Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Under the Arbor - Arnold Böcklin
Regular price
£28.00 GBP
Sale price
£28.00 GBP
Regular price
Archival giclée
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Made to order
Description
A quiet, symbolic genre painting by Arnold Böcklin depicting an elderly couple resting within a garden arbor, rendered with precise detail and a reflective mood.
Arnold Böcklin, a Swiss painter associated with the Symbolist movement, produced this work in 1885. The composition depicts an elderly couple seated within a wooden garden structure, or arbor, which frames their figures against a plain wall. The man, wearing a heavy fur-trimmed coat, sits in a posture of quiet contemplation or perhaps exhaustion. Beside him, a woman draped in a dark shawl rests her hand near his, creating a sense of shared stillness. The foreground features a formal garden layout with rows of tulips, adding a structured, geometric element to the scene.
Böcklin often explored themes of mortality, solitude, and the passage of time. In this painting, the contrast between the rigid, bare branches of the arbor and the blooming flowers suggests a cycle of life and decay. The light is clear and even, casting soft shadows that define the architectural elements of the garden. The colour palette remains grounded in earthy tones, punctuated by the red of the arbor and the tulips.
This work demonstrates the artist's technical precision and his interest in psychological states. Unlike his more fantastical or mythological subjects, this piece focuses on a domestic, human moment. The spatial arrangement is deliberate, using the arbor as a proscenium to separate the subjects from the wider garden. The painting invites observation of the figures' expressions and the quiet atmosphere of their surroundings. It remains a representative example of Böcklin's later period, where he moved away from dramatic action toward more static, reflective compositions. The clarity of the forms and the stillness of the figures contribute to the overall mood of the piece, which avoids overt narrative in favour of a captured moment of human experience.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Under the Arbor - Arnold Böcklin
Regular price
From £28.00 GBP
Sale price
From £28.00 GBP
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Arnold Bocklin
Bocklin lost eight of his fourteen children. Isle of the Dead, the painting that made him the most famous artist in late nineteenth-century Germany, partly evokes the English Cemetery in Florence, where his baby daughter Maria was buried. He painted five versions between 1880 and 1886; a sixth was begun with his son Carlo and completed by Carlo after his father's death. The title was given by an art dealer, not by Bocklin, who described the image only as "a dream picture: it must produce such a stillness that one would be awed by a knock on the door".
He was born in Basel in 1827 and studied in Dusseldorf, Antwerp, Brussels and Paris, but found his real inspiration in Italy, where he lived intermittently and where he spent his final years. His landscapes are not observed but invented: mythological creatures inhabit rocky coastlines, centaurs stand in forests, mermaids play in the sea. The Romanticism of his training was filtered through Italian light and classical allusion into a Symbolism that anticipated both the Metaphysical painters and the Surrealists.
Isle of the Dead hung in reproduction in seemingly every middle-class home in Germany at the turn of the century. Sigmund Freud kept a copy in his office. When Marcel Duchamp was asked to name his favourite painter, he named Bocklin, whether sincerely or provocatively remains unclear.
Bocklin also painted a counterpart, Island of Life (1888), which has remained far less well known. He died in San Domenico di Fiesole, near Florence, in 1901, at seventy-three.
He was born in Basel in 1827 and studied in Dusseldorf, Antwerp, Brussels and Paris, but found his real inspiration in Italy, where he lived intermittently and where he spent his final years. His landscapes are not observed but invented: mythological creatures inhabit rocky coastlines, centaurs stand in forests, mermaids play in the sea. The Romanticism of his training was filtered through Italian light and classical allusion into a Symbolism that anticipated both the Metaphysical painters and the Surrealists.
Isle of the Dead hung in reproduction in seemingly every middle-class home in Germany at the turn of the century. Sigmund Freud kept a copy in his office. When Marcel Duchamp was asked to name his favourite painter, he named Bocklin, whether sincerely or provocatively remains unclear.
Bocklin also painted a counterpart, Island of Life (1888), which has remained far less well known. He died in San Domenico di Fiesole, near Florence, in 1901, at seventy-three.
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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