A 1896 lithographic invitation by Theo van Hoytema, featuring two cockatoos and floral motifs in the Dutch Art Nouveau style.

This lithograph by Theo van Hoytema functions as an exhibition invitation for the Frans Buffa en Zonen gallery in Amsterdam. Produced in 1896, the work displays the characteristic aesthetic of the Dutch Art Nouveau period, often referred to as Nieuwe Kunst. Van Hoytema, a specialist in the depiction of birds and animals, employs a balanced, symmetrical composition that frames the central text block with two cockatoos facing inwards. Below the text, a dense arrangement of stylised, flowing floral forms provides a decorative base, anchoring the avian figures within the frame.

The artist uses a limited, monochromatic palette, typical of his graphic work, which relies on strong line work rather than colour to define form. The lettering is integrated into the overall design, reflecting the period's interest in the unity of typography and illustration. The cockatoos are rendered with a degree of stylisation that prioritises decorative rhythm over strict anatomical realism, yet they retain the distinct features of the species. The surrounding floral motifs exhibit the sinuous, organic lines associated with the international Art Nouveau style, adapted here to the specific requirements of a printed invitation.

Van Hoytema was highly regarded for his lithographic technique, which allowed for subtle tonal variations despite the restricted colour range. This piece demonstrates his ability to combine commercial requirements with a distinct artistic vision. The work remains a clear example of late nineteenth-century Dutch graphic arts, where the boundary between fine art and applied design was frequently blurred. The invitation serves as a record of the exhibition held at the Kalverstraat in Amsterdam between 17 November and 17 December 1896, documenting the artist's professional activity during a period of significant creative output.