A delicate seventeenth-century etching by Flemish artist Pieter van Avont, depicting two putti with a basket of flowers.

This etching depicts two putti, or infant angels, engaged with a basket of flowers. Pieter van Avont, a Flemish painter and etcher active in Antwerp, frequently incorporated such figures into his compositions. His work often involved collaborations with other artists, where he would provide the figures for their larger paintings. This specific print demonstrates his technical approach to the human form, using cross-hatching to define the soft contours of the children and the texture of their wings.

The composition is balanced, with one angel shown from the back, kneeling, while the other faces the viewer, interacting with the floral arrangement. The inclusion of the basket serves as a common motif in seventeenth-century Flemish art, often associated with allegorical themes of abundance or the seasons. The etching technique allows for a delicate rendering of the petals and the curls of the angels' hair, typical of the period's printmaking output. The inscription 'F. de Wit exc.' indicates that the plate was published by Frederick de Wit, a prominent Dutch map and print seller, suggesting the wide circulation of Van Avont's designs during the mid-seventeenth century.

As a fine art print, this piece offers a glimpse into the studio practices of the Flemish Baroque. The focus remains on the anatomical study of the figures and the decorative quality of the scene. The print is presented on high-quality archival paper, maintaining the clarity of the original etched lines. It provides an opportunity to observe the stylistic conventions of the era, where mythological and religious subjects were frequently rendered with a sense of gentle domesticity. The work is a representative example of the small-scale prints that were popular among collectors of the time, valued for their technical precision and thematic charm.