A pair of detailed etchings by Carel Frederik Bendorp (I) documenting the Haarlemmerpoort in Amsterdam from both the city and exterior perspectives.

This etching by Carel Frederik Bendorp (I) presents two distinct views of the Haarlemmerpoort in Amsterdam. The artist, a Dutch engraver and draughtsman, captures the architectural character of the city during the late eighteenth century. The top panel depicts the gate from the city side, showing the structure with its classical facade and the surrounding open space. Figures in period attire and a horse-drawn carriage provide a sense of scale and daily activity. A windmill is visible in the distance, a common feature of the Dutch urban periphery at the time.

The lower panel offers a view from the exterior, framed by trees that create a natural archway. This perspective includes a drawbridge and the surrounding canal infrastructure, which were essential components of Amsterdam's defensive and transport systems. The composition relies on clear, precise lines to delineate the stonework of the gate and the foliage of the trees. Bendorp employs varied hatching techniques to suggest texture and light, particularly in the rendering of the sky and the shadows cast by the architecture.

These prints function as historical records of Amsterdam's urban development. The Haarlemmerpoort depicted here is the second gate of that name, designed by Hendrick de Keyser. Bendorp's work reflects the interest in topographical documentation that was common among Dutch artists of the period. The prints provide a view into the transition of the city, where formal classical architecture met the practical requirements of a busy port. The inclusion of the K.O.G. (Koninklijk Oudheidkundig Genootschap) stamp indicates its provenance within the Atlas Amsterdam collection, confirming its status as a primary source for the study of the city's history.