A 1890 lithograph by Johan Braakensiek depicting two contrasting scenes of letter writing, including a portrait of the author Multatuli.

This lithograph by Dutch artist Johan Braakensiek, titled Twee briefschrijvers, appeared as a supplement to the weekly magazine De Amsterdammer on 22 June 1890. The composition presents a diptych format, contrasting two distinct domestic environments through the act of letter writing. On the left, a man sits at a dining table in a relatively comfortable interior, accompanied by a small dog. The scene conveys a sense of domestic stability and quietude. In contrast, the right panel depicts a man writing in a sparse, dimly lit room, illuminated by a single window. This figure is identified in the text below as Multatuli, the pen name of the Dutch writer Eduard Douwes Dekker, writing to his wife, Tine, from Brussels in 1859.

Braakensiek employs a descriptive, illustrative style characteristic of late nineteenth-century periodical art. The lithographic technique allows for subtle gradations of tone, particularly in the rendering of shadows and the play of light against the walls. The artist captures the physical atmosphere of each space, from the cluttered domesticity of the left scene to the stark, solitary conditions of the writer on the right. The inclusion of the original text beneath each image provides a narrative layer, grounding the visual representation in specific historical correspondence. By juxtaposing these two scenes, Braakensiek invites the viewer to consider the varying circumstances under which communication occurred during this period. The work functions as both a social observation and a historical reference, documenting the life of a significant literary figure while maintaining the aesthetic standards of Dutch illustration from the late Victorian era. The print remains a clear example of the role of visual media in nineteenth-century journalism, where images were used to humanise historical figures and provide context to public discourse.