Tristesse Blanche - Asger Jorn
Archival giclée
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Description
Asger Jorn's 'Tristesse Blanche' is an abstract expressionist painting characterised by bold colours, gestural brushstrokes, and a dynamic composition. The work conveys raw emotion through its non-representational forms and expressive use of paint.
Asger Jorn, born Asger Oluf Jørgensen in 1914, was a Danish artist, sculptor, ceramicist, and writer. He was a founding member of the CoBrA group, an avant-garde movement active from 1948 to 1951. CoBrA artists sought to break away from academic traditions and explore spontaneous, experimental forms of expression, drawing inspiration from primitive art, children's drawings, and Nordic mythology. Jorn's work is characterised by its bold colours, gestural brushstrokes, and often chaotic compositions. He aimed to convey raw emotion and challenge conventional notions of beauty. Jorn's artistic output was prolific and diverse, encompassing painting, sculpture, ceramics, and graphic arts. He also wrote extensively on art theory and philosophy. Jorn died in 1973, leaving behind a legacy as one of Denmark's most important modern artists. 'Tristesse Blanche' exemplifies Jorn's abstract expressionist style. The painting features a dynamic interplay of colours, including blues, greens, reds, and yellows, applied with thick, impasto brushstrokes. The composition is non-representational, with no discernible figures or objects. Instead, the focus is on the expressive qualities of the paint itself, creating a sense of energy and movement. The title, which translates to 'White Sadness', suggests a melancholic undertone, perhaps reflecting the artist's emotional state at the time of creation.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Tristesse Blanche - Asger Jorn
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Asger Jorn
Born in Vejrum, Jutland in 1914, Jorn studied briefly in Paris in the late 1930s, where he attended Léger's atelier and worked with Le Corbusier on a pavilion project. During the Nazi occupation of Denmark he co-founded Helhesten, an underground cultural journal that kept experimental art alive through the war years. In 1948 he was a founding member of CoBrA, the international group that brought together artists from Copenhagen, Brussels, and Amsterdam in a loose avant-garde coalition emphasising raw expressiveness and collective mythology.
After CoBrA dissolved in 1951 he aligned briefly with the Situationist International, contributing theoretical writing alongside Guy Debord before a clean break in 1961. Over his lifetime he produced more than 2,500 works in paint, print, ceramics, and collage, and wrote over twenty books on aesthetics and political theory. He was also, incidentally, the first person to translate Franz Kafka into Danish. The major collection of his work is held at Museum Jorn in Silkeborg, which he helped establish. He died in Aarhus in May 1973.
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