An early American Modernist landscape by Marsden Hartley, featuring bold red trunks and dense green foliage. This oil painting demonstrates Hartley's use of heavy impasto and expressive colour.

Marsden Hartley was a central figure in American Modernism. This work, titled Tree, dates from his early career when he explored the expressive possibilities of colour and form. Hartley spent much of his life travelling between Europe and the United States, but his origins remained tied to the rugged terrain of Maine. This painting reflects his interest in the emotional power of the natural world. The composition features a central arboreal form rendered with thick and rhythmic brushstrokes. Hartley uses a palette of saturated reds and deep greens alongside cobalt blues. These colours are applied with a heavy impasto technique that gives the surface a tactile quality. The forms are simplified and almost architectural in their arrangement. The red trunks provide a stark contrast against the dark foliage and the pale sky visible at the top of the frame. The application of paint is deliberate and energetic, creating a sense of movement across the canvas. During this period, Hartley was influenced by the work of European avant-garde artists such as Paul Cézanne and the Fauves. He sought to move beyond mere representation to capture the spiritual essence of his subjects. The dense arrangement of trees suggests a secluded space within the woods. This piece is an example of Hartley's ability to translate the physical environment into a personal and expressive language. The work demonstrates a departure from traditional landscape painting. Instead of focusing on perspective or fine detail, Hartley emphasises the weight and volume of the trees. The use of black outlines around certain shapes adds to the graphic quality of the image. This approach aligns with the broader Modernist movement, which prioritised the artist's subjective experience over objective reality.