Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Thomas Killigrew - Anthony van Dyck
Regular price
£28.00 GBP
Sale price
£28.00 GBP
Regular price
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A portrait of the dramatist Thomas Killigrew by Anthony van Dyck, featuring the sitter with his dog in a characteristic Baroque composition.
This portrait depicts Thomas Killigrew, a dramatist and courtier to King Charles II, captured by the Flemish master Anthony van Dyck. The composition presents Killigrew in a relaxed, three-quarter pose, his hand resting upon the head of a large dog. This inclusion of a canine companion serves as a visual shorthand for loyalty and fidelity, common tropes within seventeenth-century aristocratic portraiture.
Van Dyck employs a sophisticated handling of light and shadow to model the subject. The sitter is dressed in the attire of the period, featuring a crisp white cravat and a voluminous sash that drapes across his torso. The fabric textures are rendered with precision, contrasting the softness of the lace against the heavier material of the garment. The background remains dark and relatively featureless, which directs the viewer's attention to the sitter's facial expression and the tactile interaction between his hand and the dog.
Killigrew's gaze is directed away from the viewer, suggesting a contemplative or detached state of mind. This psychological distance is characteristic of Van Dyck's approach to his sitters, who were frequently members of the English court. The artist's ability to convey status through posture and costume, while maintaining a sense of individual personality, defined the aesthetic of the Caroline era. The painting reflects the influence of Italian masters on Van Dyck's technique, particularly in the fluid brushwork and the management of tonal values. As a document of the period, the work provides insight into the self-presentation of the seventeenth-century intellectual elite, balancing the requirements of formal portraiture with a degree of informality. The original canvas is held in the collection of the Chatsworth House Trust, representing a significant example of the artist's mature period in England.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
Thomas Killigrew - Anthony van Dyck
Regular price
From £28.00 GBP
Sale price
From £28.00 GBP
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Anthony Van Dyck
Anthony van Dyck, a titan of the Baroque period, wasn't merely a painter; he was an architect of image. Born in Antwerp, in the Spanish Netherlands, his prodigious talent flowered early, apprenticing with Hendrick van Balen (Rubens's master) and becoming an independent master in the Antwerp guild by eighteen. Van Dyck's early work displays the robust influence of Rubens, but he quickly developed a more refined, elegant style, particularly evident in his portraits.
His time in Genoa and, later, as court painter to Charles I of England, cemented his legacy. Van Dyck didn't just record likenesses; he elevated his subjects, imbuing them with an aristocratic grace that defined the Caroline era. He established a visual language of power and refinement, influencing portraiture for centuries. Consider his iconic depictions of Charles I, such as "Charles I at the Hunt", which capture the king's regal bearing and hint at the complexities of his reign.
Beyond portraiture, Van Dyck was a master of religious and mythological scenes, showcasing his versatility and technical skill. His impact resonates even today, not only in the art world but also in fashion and popular culture, where his aesthetic continues to inspire. He died in London, leaving behind a glittering oeuvre that continues to captivate and inspire.
His time in Genoa and, later, as court painter to Charles I of England, cemented his legacy. Van Dyck didn't just record likenesses; he elevated his subjects, imbuing them with an aristocratic grace that defined the Caroline era. He established a visual language of power and refinement, influencing portraiture for centuries. Consider his iconic depictions of Charles I, such as "Charles I at the Hunt", which capture the king's regal bearing and hint at the complexities of his reign.
Beyond portraiture, Van Dyck was a master of religious and mythological scenes, showcasing his versatility and technical skill. His impact resonates even today, not only in the art world but also in fashion and popular culture, where his aesthetic continues to inspire. He died in London, leaving behind a glittering oeuvre that continues to captivate and inspire.
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
Artist Biography
Anthony van Dyck
Anthony van Dyck, a titan of the Baroque period, wasn't merely a painter; he was an architect of image. Born in Antwerp, in the Spanish Netherlands, his prodigious talent flowered early, apprenticing with Hendrick van Balen (Rubens's master) and becoming an independent master in the Antwerp guild by eighteen. Van Dyck's early work displays the robust influence of Rubens, but he quickly developed a more refined, elegant style, particularly evident in his portraits.
His time in Genoa and, later, as court painter to Charles I of England, cemented his legacy. Van Dyck didn't just record likenesses; he elevated his subjects, imbuing them with an aristocratic grace that defined the Caroline era. He established a visual language of power and refinement, influencing portraiture for centuries. Consider his iconic depictions of Charles I, such as "Charles I at the Hunt", which capture the king's regal bearing and hint at the complexities of his reign.
Beyond portraiture, Van Dyck was a master of religious and mythological scenes, showcasing his versatility and technical skill. His impact resonates even today, not only in the art world but also in fashion and popular culture, where his aesthetic continues to inspire. He died in London, leaving behind a glittering oeuvre that continues to captivate and inspire.
His time in Genoa and, later, as court painter to Charles I of England, cemented his legacy. Van Dyck didn't just record likenesses; he elevated his subjects, imbuing them with an aristocratic grace that defined the Caroline era. He established a visual language of power and refinement, influencing portraiture for centuries. Consider his iconic depictions of Charles I, such as "Charles I at the Hunt", which capture the king's regal bearing and hint at the complexities of his reign.
Beyond portraiture, Van Dyck was a master of religious and mythological scenes, showcasing his versatility and technical skill. His impact resonates even today, not only in the art world but also in fashion and popular culture, where his aesthetic continues to inspire. He died in London, leaving behind a glittering oeuvre that continues to captivate and inspire.
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