A serene colour lithograph by Henri Rivière, capturing a quiet, snow-covered forest scene with a distinct influence from Japanese woodblock aesthetics.

Henri Rivière, a central figure in the French printmaking revival, produced this colour lithograph during a period when European artists were heavily influenced by the aesthetic principles of Japanese ukiyo-e woodblock prints. The composition demonstrates a clear debt to the flat planes of colour and simplified forms characteristic of that tradition, while maintaining a distinctively French sensibility in its observation of the natural world.

The scene depicts a quiet, snow-covered forest floor populated by tall, rhythmic tree trunks. Rivière employs a muted palette of soft greens, greys, and earthy browns to convey the stillness of a winter day. The trees are arranged in a way that creates a sense of depth, yet the overall treatment remains decorative and graphic. To the right, two figures are shown gathering wood, their presence providing a sense of scale and human activity within the otherwise solitary environment. The snow is rendered with subtle washes, allowing the paper tone to suggest the cold, reflective surface of the ground.

Rivière was known for his technical mastery of the lithographic process, often working with multiple stones to achieve the precise layering of colour seen here. His work frequently explored the changing moods of the French countryside, particularly through his series of prints that captured the subtle shifts in light and season. This piece reflects his ability to balance observation with a stylised approach, resulting in an image that is both atmospheric and structured. The clean lines and controlled application of ink demonstrate the precision required for high-quality colour lithography at the turn of the century. This print offers a view into the quietude of rural life, presented with the clarity and restraint that defined Rivière's contribution to the graphic arts of his time.