Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A tempera on panel painting by Carlo Crivelli, depicting the Virgin Mary and Christ Child with Saint Francis and Saint Sebastian. The work exemplifies Crivelli's detailed style and the religious themes prevalent in Early Renaissance art.
Carlo Crivelli's painting presents the Virgin Mary holding the Christ Child, flanked by Saint Francis and Saint Sebastian. Crivelli, an Italian painter of the Early Renaissance, is known for his distinctive style, characterised by meticulous detail and the use of tempera, which lends the painting a jewel-like quality. His works often feature elaborate ornamentation and a certain emotional intensity. Saint Francis, on the left, is depicted in his traditional brown robe, while Saint Sebastian, on the right, is shown pierced with arrows, referencing his martyrdom. The Virgin Mary is seated on a throne, with the Christ Child in her arms, both figures exuding a sense of serenity. The composition is carefully balanced, with the figures arranged symmetrically around the central axis. The background is adorned with architectural elements and symbolic objects, such as the fruit hanging above the Virgin, adding to the painting's symbolic depth. Crivelli's work reflects the artistic trends of his time, blending elements of Gothic and Renaissance styles. His attention to detail and use of colour create a visually arresting image, inviting contemplation on the themes of faith, sacrifice, and divine love.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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Venetian-trained painter who spent his career in the Marche, known for gold-ground altarpieces of exceptional decorative intensity.
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