The Two Sisters-in-Law - Édouard Vuillard
Archival giclée
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Description
A striking colour lithograph by Édouard Vuillard, capturing a quiet domestic scene through the flattened perspectives and bold patterns characteristic of the Nabis movement.
This colour lithograph by Édouard Vuillard, titled The Two Sisters-in-Law, originates from the 1899 portfolio 'Paysages et Intérieurs'. As a member of the Nabis, Vuillard focused on the domestic sphere, often obscuring the boundaries between figures and their surroundings through flattened perspectives and decorative patterns. In this composition, the two figures are integrated into the environment, their forms partially absorbed by the bold, yellow patterned wallpaper that dominates the background. The woman on the right, dressed in a dark, solid garment, leans against a table, while her companion on the left is rendered in a lighter, spotted dress. The use of colour is deliberate and non-naturalistic, reflecting the Nabis' interest in subjective expression over objective representation. The lamp at the top centre provides a vertical anchor for the scene, yet it remains stylised, contributing to the overall graphic quality of the print. Vuillard’s technique in this medium demonstrates his mastery of lithography, using layers of colour to build texture and depth without relying on traditional shading. The work captures a quiet, private moment, typical of his interest in the subtle interactions of daily life. By reducing the figures to essential shapes and focusing on the interplay of colour and pattern, Vuillard creates a scene that feels both intimate and detached. This print is a characteristic example of his contribution to the graphic arts at the turn of the century, where the influence of Japanese woodblock prints is evident in the composition and the bold use of flat colour fields.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Two Sisters-in-Law - Édouard Vuillard
Artist Biography
Edouard Vuillard
He joined the Nabis in the early 1890s, a group of young painters who took their name from the Hebrew word for prophets. The others (Bonnard, Denis, Serusier) were drawn to mysticism and esoteric philosophy. Vuillard was drawn to the interior. His mother's workroom, with its bolts of fabric, wallpaper patterns, and women in patterned dresses, became his subject. The paintings flatten space: the figure merges with the wallpaper, the dress dissolves into the upholstery, the room becomes a single surface of competing patterns. Critics called the approach Intimism.
He painted almost exclusively domestic scenes: rooms, tables, women sewing, women reading. The scale is modest. The colours are muted. There is no drama, no allegory, no mythology. The work assumes that a woman sitting in a chair in a room with good light is enough to make a painting, which it is.
He never married. He lived with his mother until she died and then lived alone. In the late twentieth century, historians began to reassess his decorative work (screens, murals, theatre sets for Lugne-Poe's Theatre de l'Oeuvre) and recognised that the small domestic paintings were not minor work but a deliberate programme: the interior as a subject equal to landscape or history.
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Édouard Vuillard
He joined the Nabis in the early 1890s, a group of young painters who took their name from the Hebrew word for prophets. The others (Bonnard, Denis, Serusier) were drawn to mysticism and esoteric philosophy. Vuillard was drawn to the interior. His mother's workroom, with its bolts of fabric, wallpaper patterns, and women in patterned dresses, became his subject. The paintings flatten space: the figure merges with the wallpaper, the dress dissolves into the upholstery, the room becomes a single surface of competing patterns. Critics called the approach Intimism.
He painted almost exclusively domestic scenes: rooms, tables, women sewing, women reading. The scale is modest. The colours are muted. There is no drama, no allegory, no mythology. The work assumes that a woman sitting in a chair in a room with good light is enough to make a painting, which it is.
He never married. He lived with his mother until she died and then lived alone. In the late twentieth century, historians began to reassess his decorative work (screens, murals, theatre sets for Lugne-Poe's Theatre de l'Oeuvre) and recognised that the small domestic paintings were not minor work but a deliberate programme: the interior as a subject equal to landscape or history.
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