A detailed sixteenth-century engraving by Cornelis Cort, depicting an allegorical procession representing the physical and moral consequences of poverty.

The Triumph of Want is a masterful engraving by the Dutch printmaker Cornelis Cort, based on a design by the Flemish artist Maarten van Heemskerck. This work belongs to a series of allegorical prints exploring the human condition and moral failings. The composition depicts a chariot pulled by emaciated horses, representing the physical and spiritual toll of poverty and neglect.

At the centre of the chariot sits a figure embodying Torpor, holding a staff, while other personifications of human vices and conditions, such as Inopia (Want) and Impia (Impiety), are arranged around the vehicle. The figures are rendered with precise, controlled lines, a hallmark of Cort's technical skill, which helped to standardise the language of engraving in the sixteenth century. The background features a distant townscape, providing a sense of scale and context to the allegorical procession.

Below the main image, a cartouche contains Latin text that explains the moral narrative, identifying the figures and their symbolic roles. The print demonstrates the influence of Italian Mannerism on Northern European artists, particularly in the elongated proportions and the dramatic, theatrical arrangement of the figures. Cort, who spent his later years in Rome, was instrumental in translating the complex compositions of painters like Titian and Heemskerck into the medium of print. This specific engraving reflects the period's fascination with moralising themes, where classical allegory was used to comment on contemporary social and ethical issues. The attention to detail in the anatomy of the horses and the expressive faces of the figures demonstrates the high level of craftsmanship expected of professional printmakers during this era. Collectors of Renaissance prints will appreciate the clarity of the line work and the historical depth of this allegorical scene.