A detailed sixteenth-century engraving by Cornelis Cort depicting an allegorical procession of Peace and her accompanying virtues.

This engraving by Cornelis Cort depicts a complex allegorical procession centred on the figure of Pax (Peace). Cort, a Dutch master who spent his later years in Italy, was highly regarded for his technical precision in copperplate engraving. His work often translated the compositions of other masters, such as Titian or Frans Floris, into the medium of print, allowing for the wider dissemination of Mannerist and Renaissance imagery across Europe.

The composition follows the tradition of the triumphal procession, a theme frequently explored in Renaissance art to convey moral or political messages. Pax is seated upon a chariot, accompanied by various personified virtues including Veritas (Truth), Diligentia (Diligence), and Justitia (Justice). Each figure is carefully labelled, a common practice in sixteenth-century didactic prints to ensure the viewer correctly identifies the symbolic narrative. The horses pulling the chariot are also named, representing Concord and Utility, which suggests that peace is maintained through harmony and practical application.

Visually, the print exhibits the characteristic linear clarity of Cort's style. The figures are rendered with a sophisticated understanding of anatomy and drapery, typical of the period. The background features a distant landscape with architectural elements, providing a sense of depth that contrasts with the foreground action. The lower portion of the print contains a Latin inscription, which serves to clarify the allegorical meaning of the scene. The use of hatching and cross-hatching creates a range of tones, from the deep shadows in the drapery to the lighter areas of the sky and ground. This work demonstrates the high level of craftsmanship associated with the printmaking workshops of the Low Countries during the sixteenth century, where technical skill was applied to convey classical and humanist themes to a learned audience.