A raw, expressionist portrait by Danish artist Asger Jorn, featuring heavy impasto and a mask-like figure rendered in earthy tones.

Asger Jorn, a founding member of the CoBrA movement, produced The Timid Proud One in 1957. This work displays the characteristic spontaneity and raw emotional force associated with his practice during the post-war period. Jorn rejected the formal constraints of traditional painting, opting instead for a gestural approach that prioritises the physical application of paint. The surface is heavily worked, with thick impasto layers creating a tactile quality that draws the viewer into the material reality of the canvas. The composition centres on a distorted, mask-like visage. The figure emerges from a chaotic background of scratched and layered pigments. Jorn employs a palette dominated by earthy greens, ochres, and muted blues, which are applied with aggressive, sweeping brushwork. The features of the face are barely discernible, rendered through rough, dark outlines that suggest a state of psychological flux. This ambiguity is central to the work, as the title implies a contradiction between fragility and arrogance, a duality often explored in Jorn's depictions of the human condition. Jorn's technique involves a constant dialogue between control and chance. He allows the paint to dictate the final form, often scraping back layers to reveal earlier marks. This process creates a sense of history within the image, as if the figure is being unearthed from the paint itself. The work does not seek to represent a specific individual, but rather a universal archetype of human emotion. By stripping away realistic detail, Jorn focuses on the expressive potential of colour and line. The result is a visceral image that maintains a tension between the grotesque and the vulnerable, typical of his contribution to European modernism.