The Temptation of a Saint Antoinette - Paul Gavarni
Archival giclée
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Description
A lithograph by Paul Gavarni titled 'The Temptation of a Saint Antoinette', depicting a satirical scene of domestic life between two women in an interior setting.
This lithograph by Paul Gavarni (1804-1866), titled 'The Temptation of a Saint Antoinette', presents a scene of domestic life with a satirical edge. Gavarni, a French artist known for his illustrations of Parisian life, often depicted the social mores and fashions of his time with wit and observation. This work, likely part of a series or publication, captures a moment between two women in an interior setting. The composition features a woman seated at a table, seemingly engaged in some form of craft or writing, while another woman leans in, perhaps whispering or offering advice. The setting is suggested with quick, economical lines, indicating a modest room with draped fabric and simple furnishings. Gavarni's skill as a draughtsman is evident in the expressive faces and gestures of the figures, as well as in the rendering of textures and patterns. The title itself suggests a playful commentary on virtue and temptation, inviting the viewer to consider the nature of the interaction between the two women. The lithographic technique allows for a range of tonal values, from delicate greys to deep blacks, adding depth and atmosphere to the scene.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Temptation of a Saint Antoinette - Paul Gavarni
Our Features
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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