The Sun of Poros - Marc Chagall
Archival giclée
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Description
A dreamlike composition by Marc Chagall, featuring his signature use of saturated colour, floating figures, and Mediterranean motifs.
Marc Chagall painted The Sun of Poros in 1953, a period during which he spent significant time in Greece. The work displays his characteristic approach to colour and memory, where reality and dreamlike imagery occupy the same space. The composition is divided into distinct chromatic zones, separating the cool, nocturnal blues on the left from the warm, solar reds on the right.
In the blue section, a pair of figures embraces within a circular form, accompanied by a goat-like creature. This motif of the couple is a recurring element in Chagall's work, often representing a sense of unity or personal affection. Below them, a recumbent figure rests in a reddish-brown area, grounding the upper scene. The right side of the canvas is dominated by a large, glowing sun set against a deep red sky, which provides a stark contrast to the blue-toned figures. A large bouquet of flowers sits in the foreground, rendered with loose, expressive brushwork that bridges the gap between the interior space and the external environment.
Chagall uses these saturated fields of colour to organise the narrative elements of the painting. The lack of traditional perspective allows the viewer to focus on the emotional weight of the individual components rather than their physical placement. The work reflects his time in the Mediterranean, yet it remains firmly rooted in his own internal visual language. The application of paint varies from thin, translucent washes to thicker, more opaque layers, creating a sense of texture that defines the forms. This piece captures the atmosphere of the Greek island through a subjective lens, prioritising personal experience over literal representation.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Sun of Poros - Marc Chagall
Artist Biography
Marc Chagall
He was born Moishe Shagal in 1887, in the Pale of Settlement, the restricted zone where Jews were permitted to live in the Russian Empire. His father worked at a herring warehouse. The family was devout Hasidic. After studying in St Petersburg, he went to Paris in 1911 and immersed himself in the Fauvists and Cubists, absorbing their formal innovations without abandoning the narrative imagery of his childhood. The colour and the dreamlike floating figures were already there in Vitebsk. Paris gave him the structure.
He met Bella Rosenfeld, the daughter of a wealthy Vitebsk jeweller, and married her in 1915. She became his primary subject for the next three decades. The flying lovers that recur across his work, gravity-defying couples suspended above rooftops and villages, began with Bella. When she died of a streptococcal infection in New York in September 1944, penicillin existed but the entire supply was reserved for soldiers. He stopped painting for nine months. He continued to paint her memory for the remaining forty-one years of his life.
Picasso once said that when Matisse dies, Chagall will be the only painter left who understands what colour really is. The friendship ended at a dinner at Chagall's home in 1964. Picasso asked when he was going back to Russia. Chagall replied: after you, I hear you are greatly loved there but not your work. They never spoke again.
His late stained glass commissions are among the strongest work of his final decades: the Peace Window at the United Nations, the twelve windows representing the Tribes of Israel at the Hadassah Medical Centre in Jerusalem, and windows at Metz Cathedral. In 1964, Andre Malraux commissioned him to paint the ceiling of the Paris Opera, a decision that provoked fury from critics who objected to a Russian-born Jewish artist working inside a French Baroque monument. He lived to ninety-seven.
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