A delicate graphite and watercolour study depicting the biblical scene of Manoah and his wife witnessing an angel's ascension.

This work depicts the biblical narrative of Manoah and his wife witnessing the ascension of an angel, as recorded in the Book of Judges. Elias van Nijmegen, a Dutch painter active in the late seventeenth and early eighteenth centuries, employs a delicate combination of graphite and watercolour to capture this supernatural event. The composition is divided between the earthly realm, where Manoah and his wife kneel in awe, and the celestial sphere, where the angel departs amidst a cloud of smoke rising from the altar.

The artist uses light, fluid lines to define the figures, while subtle washes of colour provide depth to the drapery and the atmospheric smoke. The posture of the figures conveys a sense of sudden realisation and reverence. Manoah is shown with his arms outstretched, his expression one of astonishment, while his wife kneels in a position of prayer. The angel above is rendered with a sense of weightlessness, contrasting with the solid, grounded presence of the couple below.

Van Nijmegen was known for his decorative work and ceiling paintings, and this drawing reflects the theatrical sensibility common to the period. The use of light, transparent pigments allows the texture of the paper to remain visible, giving the work a sketch-like quality that brings the viewer closer to the artist's initial creative process. The scene is framed by a simple border, typical of drawings intended for study or collection. This piece offers a glimpse into the devotional art of the Dutch Republic, where biblical themes were frequently explored through the lens of classical composition and dramatic narrative. The work remains a fine example of eighteenth-century draughtsmanship, balancing technical precision with expressive storytelling.