A miniature from the Belles Heures of Jean de France, depicting the discovery of the True Cross in the International Gothic style.

This image originates from the Belles Heures of Jean de France, Duc de Berry, a manuscript produced by the Limbourg brothers between 1405 and 1416. The scene depicts the discovery of the True Cross, a narrative element common in medieval hagiography. The composition is framed by elaborate architectural columns, which act as a decorative border, typical of the International Gothic style. These columns are adorned with sculpted figures, adding a three-dimensional quality to the page layout.

The central figures are arranged in a narrative grouping. A woman in a white veil sits on the ground, while others stand around her in varied postures of observation and reverence. The clothing reflects the fashion of the early fifteenth-century French court, with long, flowing robes and structured headwear. The colour palette is dominated by deep blues, ochres, and soft pinks, applied with the precision required for miniature painting on vellum.

In the background, a fortified castle sits near a body of water, set against a series of rolling hills that recede into the distance. The use of atmospheric perspective is evident in the lighter, bluer tones applied to the distant mountains. The bottom of the frame features a scroll held by four winged putti, providing a base for the scene. The work demonstrates the technical skill of the Limbourg brothers, who were commissioned by the Duc de Berry to create some of the most refined manuscripts of their era. Their ability to combine narrative clarity with decorative elements makes this a representative example of late medieval book art. The attention to detail, from the folds in the garments to the architectural ornamentation, reflects the high standards of the workshop.