Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed sixteenth-century engraving by Philips Galle, after a design by Maerten van Heemskerck, depicting the biblical return of the prodigal son.
This engraving depicts the biblical parable of the prodigal son, a narrative concerning forgiveness and familial reconciliation. The composition follows a design by Maerten van Heemskerck, a prominent Dutch painter of the sixteenth century. In the foreground, the father embraces his kneeling son, who appears dishevelled and weary from his travels. The figures are rendered with anatomical precision, typical of the period's interest in classical form and human expression.
To the right, secondary figures attend to the son, providing new garments and footwear, which signifies his restoration to the household. The background features architectural elements, including a classical portico and a distant archway, which provide a sense of spatial depth. These structures reflect the influence of Italian Renaissance architecture on Northern European artists of the era. The scene is framed by a gnarled tree on the left, which adds a naturalistic element to the otherwise structured environment.
Below the image, a Latin inscription reads: Tandem poenitentia motus patrem adit, ab eoq in gratiam receptus est. This translates to: Moved at last by repentance, he approaches his father and is received by him into favour. The engraving technique employs fine lines to create texture and shadow, particularly in the drapery of the garments and the musculature of the figures. The work demonstrates the technical skill of Philips Galle, who was a prolific engraver and publisher in Antwerp. His collaboration with designers like Heemskerck allowed for the dissemination of complex religious and moral narratives to a wider audience through print media. This piece remains a clear example of the printmaking traditions that flourished in the Low Countries during the sixteenth century, combining religious subject matter with the stylistic developments of the Northern Renaissance.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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