A detailed Flemish engraving by Johannes Wierix depicting the biblical miracle of the resurrection of the widow's son in Naïm.

This engraving by Johannes Wierix depicts the biblical narrative of Christ raising the widow's son from the dead in the city of Naïm. Wierix, a member of a prolific family of engravers based in Antwerp, demonstrates his technical precision through the fine lines and controlled hatching characteristic of the period. The composition follows a structured, theatrical arrangement common to Northern Mannerist printmaking, where figures are placed in a shallow, stage-like space before a background of classical architecture and distant hills.

Christ occupies the centre of the scene, his gesture directing the viewer's attention to the young man rising from his bier. The surrounding figures display a range of reactions, from the mourning widow to the astonished onlookers. The use of hand-applied colour adds a specific dimension to the print, distinguishing the garments of the figures and providing a sense of depth to the architectural elements. The inclusion of Latin and French text at the base of the image identifies the subject and provides a brief summary of the event, a common feature in devotional books and print series of the late sixteenth century.

Johannes Wierix was known for his ability to replicate the styles of other masters, yet this work displays the characteristic clarity and attention to detail that defined his own output. The print serves as an example of the high level of craftsmanship present in Flemish print workshops during the late Renaissance. The figures are rendered with a focus on anatomical accuracy, while the inclusion of a dog in the foreground adds a touch of domestic realism to the miraculous event. This piece offers a view into the visual culture of the period, where religious narratives were disseminated through accessible, high-quality printed media.