The Red Scarf - William Orpen
Archival giclée
Ready to hang
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Made to order
Description
"The Red Scarf" by William Orpen depicts a young woman in a striking red shawl, her direct gaze and painterly rendering capturing a sense of quiet contemplation.
William Orpen, an Irish artist born near Dublin, studied at the Slade School of Art in London. He became known for his portraits and his work as a war artist during the First World War. His style blends elements of Impressionism with a more traditional academic approach, characterised by careful observation and a sensitivity to light and shadow. Orpen's portraits often capture the personality and social standing of his sitters. In "The Red Scarf", a young woman is depicted seated, wearing a bright red shawl or scarf over a white blouse with lace trim. The background is dark and indistinct, which concentrates attention on the figure. The woman's gaze is direct, and her expression is thoughtful. Her hands are clasped in her lap, and she appears to be engaged in some quiet activity, perhaps sewing or knitting. The painting's composition is simple, with the figure occupying most of the canvas. The red of the scarf contrasts with the white of the blouse and the dark background, creating a striking visual effect. The brushwork is loose and painterly, particularly in the rendering of the scarf and the background, which gives the painting a sense of immediacy.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Red Scarf - William Orpen
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
William Orpen
During the First World War he was sent to the Western Front as an official war artist for the British government. He was the most prolific of the war artists, producing 138 works: drawings and paintings of soldiers, dead men, German prisoners, ruined trenches, and the blank exhaustion that photographs of the period cannot quite capture. He donated all 138 to the British government. They are now in the Imperial War Museum.
After the war he painted The Signing of the Peace Treaty at Versailles, which should have been the capstone of his career. Instead it became a controversy. He also painted To the Unknown British Soldier in France, a composition that originally included ghostly military figures alongside a flag-draped coffin. The Imperial War Museum refused to accept it until he removed the figures in 1927.
He never fully recovered from the physical and mental effects of the war. He continued to paint society portraits at extraordinary prices (over 50,000 pounds a year by 1929), but those who knew him said something had changed.
He was Irish, from Stillorgan in County Dublin, a fact that became complicated as the independence movement gathered force during and after the war. He accepted a knighthood from the British crown. He died in 1931, aged fifty-two, and faded to near-total obscurity until 2001, when a portrait sold at Sotheby's for nearly two million pounds.
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