The Princess Sabra Led to the Dragon - Edward Burne-Jones
Archival giclée
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Description
A narrative work by Edward Burne-Jones depicting the Princess Sabra in a moment of quiet resignation, rendered in the Pre-Raphaelite style.
Edward Burne-Jones painted The Princess Sabra Led to the Dragon during the mid-1860s. This work forms part of a larger series depicting the legend of Saint George and the Dragon, a subject that occupied the artist for several years. The composition draws upon medieval iconography, reflecting the Pre-Raphaelite interest in Arthurian romance and chivalric tales.
The scene captures a moment of quiet tension. Princess Sabra, dressed in a simple, flowing white gown, walks with a measured gait toward her fate. Her expression is one of calm resignation. Beside her, a figure holds a tall candle, while a knight in dark armour moves ahead, his spear angled across the frame. The background architecture is austere, with stone walls and a tiled floor that create a sense of enclosed, claustrophobic space. Figures in the distance observe the procession, their presence adding to the narrative weight of the scene.
Burne-Jones employs a muted palette, dominated by cool greys, whites, and deep, dark tones. The lighting is soft, focusing attention on the central figure of the princess. The drapery of her gown is rendered with precision, showing the influence of early Renaissance masters whom Burne-Jones studied during his travels in Italy. The painting avoids dramatic action, choosing instead to focus on the psychological state of the characters. It is a characteristic example of the artist's approach to myth, where the focus remains on the emotional atmosphere rather than the physical conflict of the legend. The work is currently held in the collection of the Musée d'Orsay in Paris.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Princess Sabra Led to the Dragon - Edward Burne-Jones
Artist Biography
Edward Burne Jones
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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