A poignant etching by Pablo Picasso, depicting a family in a state of quiet struggle, rendered with expressive, textured line work.

The Poor, also known as Les Pauvres, is an etching created by Pablo Picasso during his transition from the Blue Period to the Rose Period. This work captures a sombre scene of a family unit, reflecting the artist's preoccupation with the marginalised figures of Parisian society at the turn of the twentieth century. The composition features a standing man, a seated woman, and two children, rendered with a stark, linear quality that emphasises their isolation and physical fragility. Picasso employs a dense network of cross-hatching to build form and shadow, creating a textured surface that feels both raw and immediate. The figures are positioned against a barren, nondescript background, which removes them from a specific geographic context and focuses the viewer entirely on their collective state of deprivation. The man stands with a weary posture, while the woman and children are huddled together, their forms merging into the dark, atmospheric ground. This etching demonstrates the technical skill Picasso developed under the guidance of printmaker Eugène Delâtre. The use of etching allows for a delicate yet biting line, which suits the melancholic subject matter. Unlike his later, more abstract works, this piece remains grounded in a figurative tradition that draws upon the influence of El Greco and the social concerns of the period. The work does not offer a narrative resolution, but rather presents a quiet observation of human endurance. It is a significant example of Picasso's early graphic output, showing his ability to convey emotional weight through minimal means and a restricted, monochromatic palette.