The Plague at Ashdod - Nicolas Poussin
Archival giclée
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Description
A dramatic history painting by Nicolas Poussin, depicting the biblical account of the plague inflicted upon the Philistines in Ashdod.
Nicolas Poussin painted The Plague at Ashdod in 1630, drawing his subject from the First Book of Samuel in the Old Testament. The narrative depicts the divine retribution visited upon the Philistines after they captured the Ark of the Covenant. Poussin organises the composition with a rigorous, architectural clarity that defines his mature style, despite the chaotic nature of the scene.
The painting shows a city square filled with figures in various states of distress and mourning. In the foreground, a man recoils in horror from the sight of a dead woman and her child, while others attend to the afflicted. The architecture provides a rigid, classical frame for the human drama, with buildings receding into the distance to create a sense of depth. Poussin uses light and shadow to direct the viewer across the canvas, ensuring that the emotional weight of the figures remains the primary focus.
This work demonstrates Poussin's interest in the theories of the affections, where specific gestures and expressions are used to communicate internal states. The figures are rendered with a sculptural quality, reflecting the artist's study of classical antiquity and the works of Raphael. The palette is dominated by earth tones, ochres, and muted blues, which maintain a sombre atmosphere appropriate to the subject. The painting is currently held in the collection of the Musée du Louvre in Paris. It remains a significant example of seventeenth-century French classicism, showing the artist's ability to balance complex narrative requirements with a disciplined, rational approach to pictorial space.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Plague at Ashdod - Nicolas Poussin
Artist Biography
Nicolas Poussin
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
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