A detailed Flemish engraving by Adriaen Collaert depicting the biblical Parable of the Unjust Husbandmen, based on a design by Hans Bol.

This engraving by Adriaen Collaert depicts the biblical Parable of the Unjust Husbandmen, a narrative found in the Gospel of Matthew. Collaert, a member of a prominent family of printmakers in Antwerp, demonstrates the technical precision characteristic of the late sixteenth-century Flemish school. The composition follows the conventions of the period, employing a wide panoramic view that integrates multiple stages of the narrative within a single frame.

In the foreground, the viewer observes the arrival of the servants sent by the vineyard owner, who are met with violence by the tenants. To the right, the scene shifts to the physical assault upon the messengers, rendered with dynamic figures that convey the urgency of the conflict. The background features a sprawling rural environment, complete with a fortified tower, a church, and a distant body of water. A curious detail appears in the sky, where a scorpion is depicted within a cloud, a symbolic element often included in prints of this era to denote astrological or moral significance.

The work is based on a design by Hans Bol, whose influence is evident in the treatment of the terrain and the atmospheric perspective of the distant hills. The engraving technique relies on a system of fine lines and cross-hatching to define form and shadow, creating a sense of depth across the expansive scene. Latin inscriptions at the base provide the textual context for the imagery, linking the visual elements directly to the scriptural source. This print serves as an example of the collaborative nature of the Antwerp print trade, where designers and engravers worked in tandem to produce works for a growing market of collectors and scholars interested in moralising religious narratives.