A narrative painting by John Everett Millais depicting a Scottish highlander reunited with his family after securing his release from prison.

The Order of Release, 1746 depicts a scene following the Jacobite rising. A Scottish highlander, wounded and with his arm in a sling, is reunited with his wife and child after she secures his release from prison. The soldier stands in the doorway, his red coat contrasting with the muted tones of the prison interior. The wife, modelled by Effie Gray, holds the official document in her hand while embracing her husband. A dog jumps up to greet the man, adding a sense of domestic relief to the sombre setting.

Millais painted this work during his period with the Pre-Raphaelite Brotherhood. The composition is noted for its attention to detail, particularly in the textures of the tartan kilt, the soldier's uniform, and the child's clothing. The lighting is focused on the central figures, drawing the viewer into the emotional weight of the reunion. The painting avoids overt sentimentality by grounding the scene in historical specificity and precise observation. The artist spent significant time ensuring the accuracy of the historical costume and the physical appearance of the figures.

This work was exhibited at the Royal Academy in 1853 and helped establish the artist's reputation for narrative clarity. The painting remains a clear example of the Victorian interest in historical subjects that carry contemporary emotional resonance. The interaction between the figures is captured with a sense of quiet stillness, allowing the viewer to observe the relief and exhaustion of the characters. The dog, a central element in the composition, provides a bridge between the figures and the viewer, grounding the scene in a recognisable reality.