A detailed etching by Charles Meryon depicting the historic Pompe Notre-Dame in Paris, showcasing the artist's precise line work and architectural focus.

Charles Meryon produced this etching as part of his celebrated series, Eaux-fortes sur Paris. The work depicts the Pompe Notre-Dame, a seventeenth-century water-pumping station that stood on the Pont Neuf in Paris. Meryon captures the structure with a focus on the wooden scaffolding and the industrial character of the building, set against the backdrop of the city skyline. The artist employs a precise, linear technique to render the textures of the timber supports and the masonry of the nearby bridge.

This print demonstrates Meryon's approach to urban subjects. Rather than providing a purely topographical record, he imbues the scene with a specific atmosphere. The sky is filled with clouds rendered through short, rhythmic strokes, while the water reflects the dark, heavy forms of the pump. The composition balances the verticality of the tower with the horizontal expanse of the riverbank. Meryon was known for his meticulous process, often working from sketches made on site before refining the image on the copper plate. His work is noted for its technical control and its ability to convey the physical presence of historical Parisian architecture. This particular view of the pump, which was demolished in the mid-nineteenth century, serves as a record of a vanished feature of the city. The print reflects the artist's interest in the intersection of human engineering and the natural environment of the Seine. Collectors of nineteenth-century graphic art value Meryon for his contribution to the revival of etching as a medium for artistic expression, moving away from its traditional use in reproductive printmaking.