The Man, Plate 6 of 'Annual Fair' - Max Beckmann
Archival giclée
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Description
A powerful drypoint etching by Max Beckmann, 'The Man' is Plate 6 from his 'Annual Fair' portfolio. This expressionistic print captures the social anxieties of post-WWI Germany with bold lines and striking figures, making it a compelling addition to any art collection.
This striking drypoint etching, 'The Man', is Plate 6 from Max Beckmann's portfolio 'Annual Fair' (Jahrmarkt). Beckmann, a pivotal figure in 20th-century German art, particularly the New Objectivity movement, created this portfolio in 1921, reflecting the tumultuous social and political climate of post-World War I Germany. The print showcases Beckmann's signature expressionistic style, characterised by bold lines, distorted figures, and a palpable sense of unease. The composition features a trio of figures rendered in stark black lines against a warm orange ground. The central figure, a man with a somber expression, dominates the scene. To his right, a figure in a hat gazes upwards, while a smaller, partially obscured face lurks in the background. The scene evokes a sense of theatricality and psychological tension, typical of Beckmann's work. The drypoint technique lends a unique texture to the print, with velvety blacks and crisp lines enhancing the dramatic effect. As a fine art print, 'The Man' brings a touch of historical gravitas and artistic intensity to any space. Its bold imagery and thought-provoking subject matter make it a compelling conversation piece, ideal for those who appreciate modern art with a strong narrative.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Man, Plate 6 of 'Annual Fair' - Max Beckmann
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Max Beckmann
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
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