The Madonna of Justice - Bernardo Strozzi

Sale price£28.00
Product: Fine Art Poster
Size: A4 (21x29.7 cm)
Frame: -
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A dramatic Baroque composition by Bernardo Strozzi, depicting the Virgin and Child as symbols of divine justice, rendered with characteristic light and shadow.

Bernardo Strozzi, a prominent figure of the Genoese Baroque, demonstrates his mastery of dramatic lighting and tactile brushwork in this composition. The Madonna of Justice presents a theological allegory, where the Virgin and Child are positioned above a putto who holds an open book. The text inscribed upon the pages reads 'SV LEX PRE ES MA TO', a Latin reference to the supreme law. The presence of the sword and the fasces, symbols of judicial authority, reinforces the theme of divine justice. Strozzi employs a tenebrist approach, allowing the figures to emerge from a dark, atmospheric background. The contrast between the soft, luminous skin tones of the Virgin and the child and the deep shadows surrounding them creates a sense of volume and physical presence. His handling of paint is fluid, particularly in the rendering of the drapery, where quick, confident strokes define the folds of the fabric. This technique, influenced by his exposure to the works of Rubens and Van Dyck during his time in Genoa, provides the work with a sense of movement and immediacy. The composition is balanced, with the vertical axis anchored by the book and the central figures. The putto serves as a bridge between the celestial realm of the Madonna and the earthly realm of the viewer. Strozzi avoids rigid symmetry, opting instead for a dynamic arrangement that draws the eye upward. The muted colour palette, dominated by earthy tones, ochres, and deep shadows, is characteristic of his mature period. This work reflects the Counter-Reformation emphasis on clear, didactic religious imagery, designed to communicate complex theological concepts through accessible, humanised figures. The painting remains a fine example of the expressive power inherent in seventeenth-century Italian art, where technical skill is directed toward the articulation of moral and spiritual authority.

Crafted for a Lifetime

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    Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.

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    12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.

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    Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.

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    Each frame is sealed with rigid backing and fixings attached, no extra effort required.

Crafted for a Lifetime — frame exploded view

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Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

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Classic 200gsm premium matte paper with 8-colour giclée printing, set in a durable wooden frame with lightweight acrylic glaze. Ready to hang.

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What our customers say

Real reviews from real customers

jayne-review-image
Received the beautiful hummingbird print in black frame. Great service, stunning print, I will post a picture when the room is finished. Thank you
Jayne - Yorkshire
WhatsApp Image 2025-08-22 at 17.52.11
Delighted with this print! The colours are extremely vibrant, the imagine crystal clear and beautifully displayed in an attractive frame. Delivery was prompt and securely packaged. Highly recommended and will be using again!
Matt - Rutland
nikki
So pleased with my print and the frame it’s housed in. Fantastic quality and really adds character to the room. Communication was great and it was delivered quicker than estimated. Overall I’m extremely pleased and will recommend to friends. I’m already eying up my next purchase!
Nikki - London
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Beautiful print, great quality and love it with the white frame. Delivery was really fast. I've had loads of compliments from visitors as I've hung it in my hallway as the first thing you see when you enter the house. Couldn't be happier.
Alice - Norfolk
Bernardo Strozzi

Bernardo Strozzi

Genoese-born Capuchin friar who fled to Venice and synthesised Caravaggio, Rubens, and van Dyck into the foundations of the Venetian Baroque.