A stark, expressive lithograph by Oskar Kokoschka depicting the Last Supper, originally published in the 1916 periodical Bildermann.

This lithograph by Oskar Kokoschka, published in the periodical Bildermann on 16 December 1916, offers a stark interpretation of the biblical Last Supper. Created during the First World War, the work reflects the psychological tension and emotional turbulence characteristic of the Austrian Expressionist movement. Kokoschka rejects the balanced, harmonious compositions of Renaissance depictions of this subject, opting instead for a crowded, agitated scene where the figures appear compressed within the frame. The central figure of Christ is positioned amidst his disciples, yet the focus remains on the collective anxiety of the group. Kokoschka employs heavy, gestural marks and high-contrast shading to define the forms, creating a sense of unease. The faces are rendered with minimal detail, relying on the direction of the strokes to convey individual states of distress or contemplation. The table, laden with simple items, acts as a physical barrier between the viewer and the participants, further heightening the claustrophobic atmosphere of the interior space. As a contributor to the wartime publication Bildermann, Kokoschka used this medium to reach a broader audience with his distinct visual language. The lithographic process allows for the soft, charcoal-like textures that define the shadows and highlights of the composition. This print is a clear example of the artist's ability to transform traditional religious iconography into a vehicle for modern existential inquiry. The lack of clear perspective and the raw, unrefined application of ink contribute to the overall sense of urgency present in the work. It remains a significant example of early twentieth-century graphic art, demonstrating the shift away from objective representation toward the subjective expression of human experience.