A detailed 1615 engraving by Jan Harmensz. Muller depicting the Last Supper with dramatic lighting and characteristic Northern Mannerist style.

This engraving by Jan Harmensz. Muller depicts the biblical scene of the Last Supper. Muller, a Dutch printmaker active during the late sixteenth and early seventeenth centuries, demonstrates his technical proficiency through the use of varied line weights and cross-hatching to create depth and texture. The composition is arranged horizontally, with Christ positioned at the centre of the table, surrounded by the disciples. The scene is illuminated by two prominent candles, which cast dramatic light and shadow across the figures, a characteristic feature of the period's interest in chiaroscuro effects.

The figures are rendered with the elongated proportions and expressive gestures typical of Northern Mannerism. The foreground includes domestic details, such as a basket and a metal basin, which ground the scene in a tangible, physical reality. The background features a glimpse into an exterior space, providing a contrast to the interior setting of the meal. The Latin inscription at the base of the print provides the scriptural context for the event, linking the visual narrative to the liturgical tradition.

Muller was known for his large-scale prints, often working after the designs of other artists, though this work reflects his own mastery of the burin. The composition balances the solemnity of the event with the dynamic movement of the figures, who are captured in various states of interaction and contemplation. The attention to detail, from the folds of the drapery to the expressions on the faces of the disciples, demonstrates the high level of craftsmanship associated with Dutch printmaking of this era. This print offers a view into the artistic conventions of the time, where religious subjects were interpreted through the lens of technical virtuosity and dramatic staging.