A 1915 Cubo-Futurist relief by Lyubov Popova, featuring a fragmented jug and table constructed with oil, wood, and plaster.

Lyubov Popova painted The Jug on the Table in 1915 during a period of intense experimentation within the Russian Avant-Garde. This work belongs to her Cubo-Futurist phase, where she combined the fragmented perspective of French Cubism with the dynamism of Italian Futurism. The composition is a relief, meaning it uses physical depth rather than just the illusion of space. Popova attached curved elements to the surface to represent the volume of the jug and the table. The colour palette is restrained, using greys, blacks, and ochres. A section of green adds a point of contrast on the right side. The artist used stencilled lettering in the upper left corner, a common technique in Cubist works to ground the abstract forms in reality. Below the central forms, a chequered pattern suggests a tablecloth or floor, while a turned wooden leg extends from the bottom of the frame. This physical object bridges the gap between the painted surface and the three-dimensional world. Popova studied in Paris under Henri Le Fauconnier and Jean Metzinger before returning to Moscow. Her work from this time focuses on the structural properties of objects. She broke down the jug into its constituent geometric parts: cylinders, cones, and planes. By using actual materials like wood and plaster, she moved away from traditional representation toward architectonic construction. This approach preceded her later transition into Constructivism and industrial design.