A detailed 17th-century engraving by Gérard Audran after Antoine Coypel, depicting the biblical Judgment of Solomon with dramatic flair and technical precision.

This print by Gérard Audran reproduces the composition of the French painter Antoine Coypel. It depicts the biblical narrative of the Judgment of Solomon, a story concerning the wisdom of the king in resolving a dispute between two women claiming the same child. Solomon sits centrally upon a throne, his hand extended in a gesture of authority. A soldier prepares to divide the infant with a sword, while the two mothers react with contrasting emotions of despair and resignation. The scene is framed by heavy drapery and classical architectural elements, typical of the grand manner of the seventeenth-century French school.

Audran was a master of the burin, and his technical skill is evident in the varied textures of the fabric, the musculature of the figures, and the atmospheric depth of the background. The engraving employs a sophisticated system of cross-hatching to model form and suggest light, creating a sense of theatrical drama. The inclusion of Latin and French text at the base of the print, along with a coat of arms, indicates its status as a formal dedication to a patron, a common practice for high-quality reproductive prints of the period. The composition balances the static, regal presence of Solomon with the dynamic, emotional turmoil of the surrounding figures. This work provides a clear example of how reproductive engraving allowed the compositions of major painters to reach a wider audience, maintaining the narrative clarity and stylistic conventions of the Baroque era. The print captures the tension of the moment with precision, ensuring that the focus remains on the moral dilemma presented by the king.