The Judgement of Solomon - Nicolas Poussin
Archival giclée
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Description
A study by Nicolas Poussin depicting the biblical Judgement of Solomon, rendered in pen and brown ink with wash.
This drawing by Nicolas Poussin depicts the biblical narrative of the Judgement of Solomon. Solomon sits centrally upon an elevated throne, positioned within a classical architectural setting. The composition follows a rigorous, symmetrical arrangement, typical of Poussin's approach to historical subjects. The figures are organised to direct the viewer's attention toward the king, who prepares to deliver his verdict regarding the disputed child.
Poussin employs a monochromatic palette of brown ink and wash to define the forms and create a sense of spatial depth. The use of light and shadow, or chiaroscuro, models the figures and the surrounding columns, providing a clear sense of volume. The artist focuses on the dramatic tension of the scene, capturing the gestures of the two mothers and the soldiers. The lines are precise, reflecting Poussin's preference for clarity and order over the more emotive, painterly styles of his contemporaries.
This work functions as a study of human emotion and moral authority. The architectural background, with its classical columns and pediment, provides a stable environment for the unfolding drama. Poussin's draughtsmanship demonstrates his ability to manage complex groups of figures within a confined space. The drawing is a characteristic example of his mature style, where the narrative is conveyed through the deliberate placement of figures and the controlled use of wash. It remains a study of the artist's method, showing his process of constructing a scene before committing it to canvas.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Judgement of Solomon - Nicolas Poussin
Artist Biography
Nicolas Poussin
Poussin's artistic vision was rooted in order, reason, and harmony. Unlike the dramatic flair of the Baroque, Poussin sought clarity and balance in his paintings. His meticulously planned compositions, populated with figures inspired by ancient sculpture, evoke a sense of timelessness and moral virtue. Key works like "The Death of Germanicus" and "The Rape of the Sabine Women" exemplify his dedication to historical and mythological subjects, rendered with a controlled palette and precise draughtsmanship.
Although he spent a significant portion of his career in Rome, Poussin's influence on French art was profound. He became a touchstone for generations of artists seeking to emulate his intellectual approach and classical ideals. His legacy extends beyond individual paintings; it encompasses a philosophy of art that values intellect, order, and the pursuit of ideal beauty. Poussin died in Rome in 1665, leaving behind a body of work that continues to inspire awe and intellectual engagement.
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