The Ice Hole - Marsden Hartley
Archival giclée
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Description
Painted in 1908, this work shows Marsden Hartley's early stitch technique. It depicts a frozen Maine lake with a dark ice hole set against deep blue mountains.
Marsden Hartley painted The Ice Hole in 1908 during a period of intense experimentation in Maine. This work belongs to his early series of mountain scenes where he adopted a distinctive stitch technique. He applied paint in short, thick strokes of broken colour, a method influenced by the Italian divisionist painter Giovanni Segantini. The composition features a dark, circular opening in the frozen surface of a lake, surrounded by blocks of harvested ice. The colour palette is dominated by deep ultramarine and cobalt blues that define the massive mountain forms in the background. These cool tones contrast with the pale yellows and pinks of the clouds above. Hartley used a heavy impasto technique, creating a tactile surface that emphasises the physical presence of the paint. The repetitive brushwork gives the entire scene a rhythmic quality, suggesting the cold, crisp atmosphere of a New England winter. At this stage of his career, Hartley was moving away from traditional representation toward a more expressive and personal style. The Ice Hole demonstrates his interest in the rugged terrain of his native Maine. It captures the isolation and starkness of the winter scenery without relying on sentimental details. The work was first exhibited at Alfred Stieglitz's 291 gallery in New York in 1909, marking Hartley's introduction to the American avant-garde circle.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Ice Hole - Marsden Hartley
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Marsden Hartley
Returning to the United States, Hartley sought to capture the essence of the American landscape and its people. He embraced a more representational style, focusing on the rugged beauty of his native Maine and the working-class communities he encountered. His "Dogtown" series, depicting the desolate landscape of a former settlement, showcases his ability to find beauty in the stark and unforgiving. These works are not mere landscapes; they are meditations on memory, loss, and the enduring power of nature.
Despite facing personal struggles and periods of obscurity, Hartley remained committed to his artistic vision. His willingness to experiment with different styles and subjects, from abstract symbolism to representational landscapes, makes him a truly unique and compelling figure. Marsden Hartley died in 1943, leaving behind a body of work that continues to challenge and inspire, inviting viewers to contemplate the complexities of identity, place, and the human condition.
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