A detailed woodcut by Sebald Beham depicting the face of Christ, characterised by precise hatching and a focus on devotional expression.

This woodcut depicts the suffering of Christ through a close-up, frontal view of his face. The crown of thorns is rendered with sharp, individual spikes that press into the brow, while the facial features convey a sense of weariness and sorrow. The artist employs a rigorous system of hatching and cross-hatching to define the contours of the face, the texture of the hair, and the depth of the shadows. This technique provides a sculptural quality to the image, typical of the German printmaking tradition during the early sixteenth century.

Sebald Beham was a member of the group known as the Little Masters, who were influenced by the technical precision of Albrecht Dürer. The composition is contained within a simple rectangular frame, focusing the viewer's attention entirely on the expression of the subject. The lines are controlled and deliberate, demonstrating the artist's mastery of the woodblock medium. The inclusion of the monogram at the base identifies the work within the context of the period's print culture, where such marks were used to establish authorship and protect against unauthorised copies.

This print belongs to a tradition of devotional imagery intended for private contemplation. The stark contrast between the black ink and the paper creates a graphic clarity that was highly valued in Northern European art. By stripping away background elements, the artist forces an encounter with the subject, relying on the economy of line to communicate the emotional weight of the scene. The work remains a clear example of the technical skill required to produce expressive religious art through the medium of the woodcut, reflecting the aesthetic priorities of the German Renaissance.