The Guest Room - Dorothea Tanning
Archival giclée
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Description
Painted in 1952, Dorothea Tanning's 'The Guest Room' presents a surreal and unsettling scene, with a young girl, a veiled figure, and a couple in bed creating a disquieting atmosphere.
Dorothea Tanning (1910-2012) was an American painter, sculptor, writer, and poet. Although her early work was influenced by Surrealism, she developed a distinctive style that explored themes of sexuality, identity, and the subconscious. She was married to the Surrealist artist Max Ernst in 1946, and their relationship influenced both their artistic output. Tanning continued to create art well into her later years, and her work has been exhibited in major museums around the world. 'The Guest Room', painted in 1952, presents a disquieting interior scene. A young girl stands naked in the foreground, her expression unreadable. Behind her, a figure in an orange shirt and cowboy boots, face obscured by a draped cloth, stands amidst scattered eggshells. In the background, a couple lies in bed beneath a draped canopy, while a veiled figure stands watch. The composition is unsettling, with its juxtaposition of innocence and menace, domesticity and the uncanny. The muted colour palette and precise brushwork contribute to the painting's dreamlike atmosphere.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Guest Room - Dorothea Tanning
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Dorothea Tanning
She was born in Galesburg, Illinois, in 1910 and left for New York at twenty with twenty-five dollars. Her painting Birthday (1942) is a self-portrait: bare-torsoed, standing beside an infinite row of open doors, with a winged creature at her feet. Max Ernst saw it when he visited her studio. They married in 1946 in a double wedding with Man Ray and Juliet Browner. They lived first in Sedona, Arizona, then in Huismes, France, for decades. After Ernst died in 1976, she returned to New York.
She was published in The Yale Review, Poetry, The Paris Review, and The New Yorker, as a poet. She also wrote a memoir (Birthday, 1986), a novel (Chasm: A Weekend, 2004), and a second memoir (Between Lives, 2001). She endowed the Wallace Stevens Award at the Academy of American Poets. She died in 2012, in her Manhattan home, aged a hundred and one.
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