The Frog Prince and Other Stories (Illustration) - Walter Crane
Archival giclée
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Description
An illustration by Walter Crane, likely from a collection of fairy tales, depicting a regal figure on horseback surrounded by a crowd, showcasing Crane's distinctive style and decorative detail.
This illustration by Walter Crane (1845-1915), a British artist associated with the Arts and Crafts movement and the Aesthetic Movement, likely comes from a collection of fairy tales. Crane was a prolific illustrator of children's books, known for his distinctive style that combined influences from the Pre-Raphaelites, Japanese woodblock prints, and classical art. His illustrations often featured strong outlines, flat planes of colour, and decorative patterns. The image depicts a regal figure on horseback, surrounded by a crowd of people. The rider, possibly a prince or other dignitary, wears elaborate clothing and a distinctive hat. The horse is adorned with decorative trappings. The surrounding figures are dressed in similar attire, creating a sense of pageantry and spectacle. The composition is relatively flat, with a focus on decorative detail and linear patterns. The colour palette is dominated by yellows, creams, and blacks, with touches of red and green. The overall effect is one of stylised elegance and theatricality, typical of Crane's illustrative work.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Frog Prince and Other Stories (Illustration) - Walter Crane
Our Features
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Walter Crane
He began as a children's book illustrator, apprenticed to the wood engraver W.J. Linton. His Toy Books for the publisher Routledge, produced from 1865 onward, used flat areas of colour, strong outlines and decorative borders influenced by Japanese woodblock prints and the Pre-Raphaelites. They were among the first mass-produced children's books to treat illustration as a design problem rather than an afterthought.
During a lecture tour of the United States he spoke in favour of clemency for the anarchists sentenced to death after the Haymarket Affair. His wealthy American patrons cancelled engagements. Crane did not retract.
He became Vice President of the Healthy and Artistic Dress Union, a movement promoting loose-fitting clothing in opposition to tight Victorian corsetry. He wrote The Claims of Decorative Art, arguing that decorative art was not a lesser form. He was Art Director of the Art Workers' Guild and the first president of the Arts and Crafts Exhibition Society.
He wanted to be taken seriously as a painter of allegorical canvases, but the galleries would not exhibit them. The children's books and the socialist cartoons are what lasted. Morris would have appreciated the irony.
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