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The Fortune Teller - Caravaggio

Regular price  £28.00 GBP
Sale price  £28.00 GBP Regular price 
Product: Fine Art Poster
Size: A4 (21x29.7 cm)
Frame: -
Made to order in the UK · delivery usually 3–5 business days · shipping calculated at checkout

Buy any 3 artworks — save 15%

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Archival giclée

Frames arrive ready to hang

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Description

A classic Baroque genre painting by Caravaggio, depicting a street-level encounter where a young man has his palm read by a woman.

Caravaggio painted this work during his early years in Rome. It depicts a young man of modest means having his palm read by a Romani woman. The scene captures a moment of social interaction, though the woman is subtly stealing a ring from the man's finger while he remains distracted by her gaze. This narrative approach to genre painting was unconventional for the period, as it elevated a street-level encounter to the scale of a formal portrait.

The composition is stripped of extraneous detail. Caravaggio uses a neutral, light-brown background to focus attention on the two figures. The lighting is directional, a technique that would become a hallmark of his later style. It models the forms of the figures, creating a sense of volume and physical presence. The man wears a yellow doublet with black sleeves and a sword at his hip, suggesting a degree of status that contrasts with the woman's simple attire. Her turban and draped shawl are rendered with soft, fluid brushwork.

This painting is one of two versions created by the artist. It demonstrates his interest in observing life on the streets of Rome, moving away from the idealised figures common in late Mannerist art. The interaction between the two characters is psychological, relying on subtle shifts in expression and gesture rather than dramatic action. The man appears engaged and perhaps slightly naive, while the woman maintains a knowing, composed expression. By choosing a subject from everyday life, Caravaggio introduced a new naturalism to the Roman art scene. The work remains a clear example of his ability to combine observation with a carefully constructed narrative, providing a glimpse into the social dynamics of the late sixteenth century.

Return policy

Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.

Shipping

We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.

Manufacturing

Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.

Complete The Look
The Fortune Teller - Caravaggio - Poster

The Fortune Teller - Caravaggio

Regular price  From £28.00 GBP
Sale price  From £28.00 GBP Regular price 
Fine Art Poster / A4 (21x29.7 cm) / -

Our Features

Designed for Lasting Impact

Specific Features

Every Solis piece is made to order with archival, gallery-quality materials built to last.

  • Museum-grade giclée printing for rich, fade-resistant colour
  • Archival matte fine-art paper, FSC-certified
  • Multiple sizes and framing options available
  • Frames in black, natural wood, dark wood or white
  • Framed prints arrive ready to hang
Care & Cleaning

To keep your artwork looking its best:

  • Dust gently with a soft, dry cloth
  • Avoid prolonged direct sunlight
  • Never use liquid cleaners on the print or canvas surface
  • Keep in a dry, room-temperature space
  • Handle prints with clean, dry hands
Materials & Sizing

Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.

  • Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas: XS (20×30 cm) to Large (60×90 cm)
  • Frames: black, natural wood, dark wood or white

Made to order

Choose your finish

Every piece is printed to order. These are the five finishes, and what makes each one different.

Fine Art Poster corner detail

Fine Art Poster

From £28

A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.

Fine Art Framed corner detail

Fine Art Framed

From £45

The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.

Why Choose Us ?

Premium quality artwork

Printed with museum-grade inks for rich, lasting color.

Meticulous craftsmanship

Solid wood frames assembled with precision and care.

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Curated collections that balance trend and longevity.

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Carefully inspected and finished before shipping.

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Museum-Quality Materials

Caravaggio portrait

Artist Biography

Caravaggio

Caravaggio killed a man in a fight over a tennis match. Or a gambling debt. Or a woman. The sources disagree. What is certain is that Ranuccio Tomassoni died on a Roman street in May 1606, Caravaggio held the sword, and the painter spent the last four years of his life on the run.

Before the killing, he had already transformed European painting. He arrived in Rome from Milan in the early 1590s, hungry and unknown, and within a decade had developed a method of painting from life, using strong directional light against deep shadow, that made the prevailing Mannerist style look theatrical and empty. He used real people as models: prostitutes, street boys, labourers. His saints had dirty feet. The Church commissioned altarpieces and then rejected them for being too vulgar, too real, too much like the people who actually attended church.

The Calling of Saint Matthew, painted for the Contarelli Chapel in San Luigi dei Francesi, is his method at its clearest. The light enters from the upper right like a blade. Matthew sits at a tax collector's table with his companions. Christ points. The scene looks like something you might see through a doorway, which is roughly the viewer's position. Nothing is idealised. The moment is ordinary and sacred simultaneously.

After the killing he fled to Naples, then Malta, then Sicily, then back to Naples. He kept painting. The late works are darker, faster, more desperate. He received a papal pardon and boarded a boat north. He died on a beach in Porto Ercole in July 1610, at thirty-eight. The cause is unknown: fever, infection, possibly lead poisoning from his paints. His influence on Rembrandt, Velazquez, Georges de La Tour, and every painter who has ever used a spotlight is difficult to overstate.
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Frequently Asked Questions

How long does it take to process an order?

Every print is made to order. UK orders typically arrive within 3–5 business days; US and European orders usually take a little longer (around 5 business days). You’ll get a confirmation email as soon as your order is on its way.

Do you ship internationally?

Yes — we currently ship across the UK, US and Europe. Available shipping options and costs are shown at checkout.

What is your return policy?

Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.

What are your sizing options?

Most artworks come in a range of formats and sizes:

  • Poster & Framed: A4, A3, A2, A1, A0 and B2 (50×70 cm)
  • Canvas & Framed Canvas: XS (20×30), Small (30×40), Medium (40×60), Large (60×90 cm)

The available options appear in the dropdowns on each product.

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