The Flight into Egypt - Sébastien Bourdon
Archival giclée
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Description
An etching by Sébastien Bourdon depicts the Flight into Egypt, showing Mary, Joseph, and the infant Jesus fleeing Herod's Massacre of the Innocents. The work demonstrates Bourdon's skill as a draughtsman.
This etching by Sébastien Bourdon (1616-1671) depicts the Flight into Egypt, a biblical episode recounted in the Gospel of Matthew. Fleeing the Massacre of the Innocents ordered by King Herod, Joseph leads Mary and the infant Jesus into safety. Bourdon, a French painter and printmaker, was among the founders of the Académie Royale de Peinture et de Sculpture. He spent time in Rome, where he was influenced by the art of the Italian Renaissance and Baroque periods. His style is characterised by a blend of classical and Baroque elements. The composition shows the Holy Family in transit. Mary, carrying Jesus, is positioned prominently, while Joseph guides the donkey. The figures are rendered with careful attention to detail, particularly in the drapery and facial expressions. The landscape is suggested with sparse lines, typical of the etching technique. Bourdon's skill as a draughtsman is evident in the precise linework and the effective use of light and shadow to create depth and volume.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Flight into Egypt - Sébastien Bourdon
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Sébastien Bourdon
He was born in Montpellier in 1616, the son of a Protestant glass painter. Back in Paris after the Roman flight, he became a co-founder of the French Royal Academy in 1648, later serving as professor and rector. In 1652, Queen Christina of Sweden appointed him first court painter, though the posting lasted only two years. His versatility was unusual: landscapes, religious compositions, mythological scenes and strikingly lifelike portraits all came from the same hand with equal competence.
His Calvinist background gave him access to Protestant networks across Europe while limiting his access to Catholic commissions in France. He died in Paris in 1671, at fifty-five.
His Calvinist background gave him access to Protestant networks across northern Europe while restricting his ability to secure the most lucrative Catholic commissions in France. The tension between faith and profession forced him into a peripatetic career that, paradoxically, gave his art a cosmopolitan range that more settled painters lacked.
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