Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed seventeenth-century engraving by Gérard Edelinck, depicting the historical encounter between Alexander the Great and the family of Darius III.
This engraving by Gérard Edelinck depicts the historical encounter between Alexander the Great and the family of the defeated Persian King, Darius III. The composition is based on the painting by Charles Le Brun, which was commissioned by Louis XIV. The scene captures the moment the royal women mistake Hephaestion for Alexander, leading to the latter's gracious intervention.
Edelinck, a master of the burin, employs a sophisticated range of tonal values to translate the painterly qualities of the original work into a monochromatic medium. The figures are arranged in a theatrical manner, typical of the period, with the tent of Darius providing a structured backdrop. The interplay of light and shadow defines the drapery of the garments and the metallic sheen of the armour worn by Alexander and his companion.
In the foreground, the kneeling figures of the Persian royal family express a mixture of grief and supplication. Alexander stands to the right, his posture conveying authority and restraint. The surrounding trees frame the action, drawing the eye toward the centre of the interaction. The inclusion of Latin and French inscriptions at the base provides context for the moral lesson of the scene, which focuses on the virtue of self-conquest and magnanimity in victory.
This print demonstrates the technical precision required for large-scale reproductive engraving in the seventeenth century. Edelinck manages to maintain clarity across a crowded composition, ensuring that each individual expression remains legible. The work serves as a record of the aesthetic values favoured at the French court, where history painting functioned as a vehicle for political and moral messaging. The balance between the architectural elements of the tent and the organic forms of the figures creates a sense of order, reflecting the classical ideals that informed the artistic production of the era.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Designed for Lasting Impact
Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
Artist Biography
Gérard Edelinck
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